Since Christmas Day is officially behind us, one of my favorite radio stations has ceased its nonstop December Christmas music marathon. Sad face. Hearing many of the same, quintessential holiday songs in different arrangements made me nostalgic for my Christmas post in 2014 where I rated the top 10 best/worst holiday songs. I re-visited the list today and noticed that not only do I have additional songs to add to both lists, but that I disagree with my past self on a few of the items. Go figure. Here is my 2017 version of the top five best and worst Christmas songs. Enjoy, and let me know what you think!
Worst:
5) Winter Wonderland - The Eurythmics
I heard this song on the radio several times this season, and I found myself wanting to pull over out of fear each time the intro played. The rest of the song is ok, but humor me for a second, and imagine this introduction without vocals. The 80s synthesizer of death is beyond terrifying, and needs to go.
4) Step into Christmas - Elton John
I don't actually mind this song all that much. I think it's clever, catchy, and kind of fun, actually. Much like it's predecessor on this list though, I have a huge problem with one part, and it ruins the song for me completely. After the first or second refrain, each time he says "The admission's free", it sounds like you just lost a life in a game of Number Munchers. Who sat in the mixing booth and decided that should remain in the final cut? Yuck.
3) All I Want for Christmas is You - Vince Vance & The Valiants ft. Lisa Layne
Maybe it's just because I am not a huge country fan that I don't like this song, but every time it comes on, it feels like a low budget dirty movie soundtrack to me. Her voice is just so rugged and out of control that I don't enjoy listening to it. I do feel badly that the title of their song got hijacked and ultimately ended in much more popularity than the original, but I would contest that the Mariah Carey song which shares this title is much better.
2) I Like a Sleigh Ride (Jingle Bells) - Peggy Lee
If you can get past the 14 "I Like a Sleigh Ride" repetitions to get into the meat of the song, it's actually not too bad, but anytime the children come back in with that horrific part, any progress made is irrevocably undone. Did she lose a bet? Did she owe someone a favor? Who is thinking that these children ADD to this holiday song? Not I. Not I, indeed.
1) Have Yourself a Merry Little Christmas - Christina Aguilera
I hadn't ever heard this arrangement until a few days ago, and about halfway through the first verse, my husband and I could not stop laughing. While Miss Aguilera is arguably one of the most vocally acrobatic of singers, her interpretation in most of her music makes the resulting song un-singable. The only thing worse than not being able to sing along to a song on the radio is not being able to sing along with a Christmas song on the radio, and Xtina makes that goal absolutely impossible to meet. A lot of times less is more, and by oversinging every phrase to the point of hilarity, it almost makes the song feel like a mockery. Oversinging might drive the point home that you are capable of incredibly difficult melismas and runs, but it also highlights your inability to think musically and to put what enhances the song's meaning above what enhances your vocal abilities.
Best:
5) I Love the Winter Weather - Tony Bennett
This song is soon underrated! I don't remember hearing it prior to this Christmas season, but I heard it several times and it just made me so jolly. His voice has such an easiness to it that I find incredibly relaxing. The way the piece ties in with "I've Got My Love to Keep Me Warm" also doesn't hurt, since that is one of my favorite wintertime songs as well.
4) Winter Wonderland - Jason Mraz
I think we can all agree that this is one of the most coveted of carols to cover (pretty good alliteration, amiright?), but as is the case with most songs with a high quantity of covers, most are average at best, and few are high quality and different enough to both separate itself from the original, while still doing it homage. This song, in my opinion, does a fantastic job at both. His plucky and rhythmic accompaniment suits his voice impeccably, and changes the piece in a really fun way without making it unrecognizable. Kudos, Jason Mraz. Ya done good.
3) Sleigh Ride
While many re-makes of this song are great, this recording is my favorite. Some songs are, well, just perfect the first time around. While I don't mind re-imaginings of this classic piece, this one will always be the best for me.
I am mildly annoyed, though, that someone decided to add lyrics, because now I sing the lyrics in my head when I hear the instrumental version and I feel like it is overshadowing my attempt to hear the story from the instrumental perspective, which may have nothing to do with the chestnuts going "pop pop pop!". It's sort of like seeing the movie before the book, and being unable to visualize the characters in a way other than the appearance of the actors or actresses.
(There COULD NOT be a better thumbnail for this video)
2) Carol of the Bells - Pentatonix
I know I mentioned in my post from three years ago that any Pentatonix Christmas arrangement is a contender, but I feel this one needs to be called out on its own. Is it lovely? Yes. Is the arrangement equal parts complex and yet recognizable? Also yes. But let's focus for a moment on a part that I think is utterly brilliant, and most likely unappreciated: the magic that is 2:18. What is Mitch even doing? It's not really human. His accuracy and delicacy with a run that is both lengthy and very complex is astounding to me. I'm not naive enough to believe that he sang it through the four or five times it is played in this recording, as I'm sure it was recorded and replayed, but the fact that he can do it even once that well is enough to make me a lovely shade of holly green with envy. Well done, indeed!
1) We Need a Little Christmas - Johnny Mathis
So, after those accolades, what could top that? None other than Johnny Mathis, of course! What I love specifically about this rendition of this song is the same thing that I love about The Drifters' version of White Christmas: the unabashed, full throttle passion of the singer. While this song is fantastic in its own merit, and I love the bouncy joviality of it, just do me a favor and listen to the last 15 seconds. Johnny Mathis slays that note, and there's absolutely nothing half-assed about it. Plus, this was likely recorded in a time (also like the Drifters' piece) where they weren't necessarily able to stop and re-record in the middle of phrases, and I respect them so much more for having to do complete takes with crazy accuracy. Nowadays, singers can go measure by measure, hell, even beat by beat until they get it, or just slosh their way through a piece and correct it with auto-tuning later. Props to you, Johnny Mathis, for killing it on probably the first take, and not backing away from a crazy powerful high note ending, despite having likely exhausted yourself singing the whole song with unmatchable gusto.
Thanks for reading, and again, let me know if you have others you think I missed! Merry Christmas, and Happy New Year!